          .jpg "Midway Black")        |
| Wednesday 20th November 2019 |
|---|
 | Runtime: 97 mins Rating: G | | DreamWorks Animation and Pearl Studio's co-production Abominable takes audiences on an epic 2,000-mile adventure from the streets of Shanghai to the breathtaking Himalayan snowscapes. When teenage Yi (Chloe Bennet, Marvel's Agents of S.H.I.E.L.D.) encounters a young Yeti on the roof of her apartment building in Shanghai, she and her mischievous friends, Jin (Tenzing Norgay Trainor) and Peng (Albert Tsai), name him "Everest" and embark on an epic quest to reunite the magical creature with his family at the highest point on Earth.
But the trio of friends will have to stay one step ahead of Burnish (Eddie Izzard), a wealthy man intent on capturing a Yeti, and zoologist Dr. Zara (Sarah Paulson) to help Everest get home.
Abominable is written and directed by Jill Culton (Open Season, Monsters, Inc., Toy Story 2) and is produced by Suzanne Buirgy (Kung Fu Panda 2, Home). Peilin Chou of Pearl Studio also produces. The film is executive produced by Tim Johnson (Over the Hedge, Home, ANTZ), Frank Zhu (Checked In, Lotus Code) and Li Ruigang (Kung Fu Panda 3, The Taking of Tiger Mountain) and is co-directed by Todd Wilderman (Trolls, The Croods). | |
 | Runtime: 121 mins Rating: 16 | | “Joker” centers around the iconic arch nemesis and is an original, standalone story not seen before on the big screen. Phillips’ exploration of Arthur Fleck (Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale. | |
 | Runtime: 103 mins Rating: 12A | | Emilia Clarke (HBO's Game of Thrones), Henry Golding (A Simple Favor, Crazy Rich Asians) and Emma Thompson star for director Paul Feig (A Simple Favor, Spy, Bridesmaids) in Last Christmas, a romantic comedy inspired by a George Michael beat and written by Academy Award® winner Thompson (Sense and Sensibility, Bridget Jones’s Baby) and playwright Bryony Kimmings.
Kate (Clarke) harumphs around London, a bundle of bad decisions accompanied by the jingle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snowfall where it may, you gotta listen to your heart ... and you gotta have faith.
Last Christmas features the music of George Michael, including the bittersweet holiday classic of the film's title. The film will also premiere brand new unreleased material by the legendary Grammy-winning artist, who sold more than 115 million albums and recorded 10 No. 1 singles over the course of his iconic career. | |
 | Runtime: 152 mins Rating: 12A | | Academy Award-winners Matt Damon and Christian Bale star in FORD v FERRARI, based on the remarkable true story of the visionary American car designer Carroll Shelby (Damon) and the fearless British-born driver Ken Miles (Bale), who together battled corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966. | |
 | Runtime: 152 mins Rating: 12A | | Academy Award-winners Matt Damon and Christian Bale star in FORD v FERRARI, based on the remarkable true story of the visionary American car designer Carroll Shelby (Damon) and the fearless British-born driver Ken Miles (Bale), who together battled corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966. | |
 | Runtime: 94 mins Rating: 16 | | Little Monsters is a horror comedy in which a teacher, a failed rockstar and a children's TV entertainer must join forces to protect a class of five year olds from a zombie outbreak. | |
 | Runtime: 94 mins Rating: 16 | | Little Monsters is a horror comedy in which a teacher, a failed rockstar and a children's TV entertainer must join forces to protect a class of five year olds from a zombie outbreak. | |
 | Runtime: 111 mins Rating: 15A | An all-star high school athlete and accomplished debater, Luce (Kelvin Harrison Jr.) is a poster boy for the new American Dream. As are his parents (Naomi Watts and Tim Roth), who adopted him from a war-torn country a decade earlier. When Luce’s teacher (Octavia Spencer) makes a shocking discovery in his locker, Luce’s stellar reputation is called into question. But is he really at fault, or is Ms. Wilson preying on dangerous stereotypes?
Stacked with amazing performances and adapted from JC Lee’s acclaimed play, director Julius Onah has created an intense, multi-layered and deeply entertaining look at identity in today’s America. | |
 | Runtime: 119 mins Rating: PG | | Maleficent and Aurora begin to question their complex family ties as they are pulled in different directions by impending nuptials, unexpected allies and dark new forces at play | |
 | Runtime: 138 mins Rating: IE12A | | MIDWAY centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and soldiers who used their instincts, fortitude and bravery to overcome the odds. | |
 | Runtime: 86 mins Rating: PG | | Get ready to click your fingers! The Addams Family is back on the big screen in the first animated comedy about the kookiest family on the block. Funny, outlandish, and completely ironic, the Addams Family redefines what it is to be a good neighbour. | |
 | Runtime: 101 mins Rating: 12A | | Pilot Amelia Wren (Felicity Jones) and scientist James Glaisher (Eddie Redmayne) find themselves in an epic fight for survival while attempting to make discoveries in a hot air balloon. | |
 | Runtime: 109 mins Rating: 15A | | The Good Liar is a British thriller in which a veteran conman targets an elderly widow. | |
 | Runtime: 210 mins Rating: 16 | Who killed Jimmy Hoffa? A labour leader and the infamous head of the Teamsters union, whose connections with organised crime were wide ranging, his career ended with a conviction for jury tampering, attempted bribery and fraud, but he was pardoned by President Nixon in 1971. Not long after, he disappeared. Declared legally dead in 1982, various theories have circulated as to what happened to him. Few are as convincing as that told by Frank ‘The Irishman’ Sheeran. The account he revealed to journalist Charles Brandt and published in the 2004 book I Heard You Paint Houses, is the basis of this riveting, epic crime drama. Written by Gangs of New York collaborator Steven Zaillian (Schindler’s List), Scorsese’s The Irishman weaves an engrossing and intricate web of connected events, audaciously cutting back and forth across decades.
Presented through the prism of Sheeran’s (De Niro) memories of his criminal past, the film uses state-of-the-art visual effects to ‘de-age’ the cast from their 70s through their 30s. The seamless (and astonishing) post-production allows Scorsese to bring together a favoured megawatt cast, all on exceptional form: the former Goodfellas pairing of De Niro and Joe Pesci (out of retirement here for Scorsese), alongside Harvey Keitel, Stephen Graham, Anna Paquin, Jesse Plemons, Bobby Cannavale and Ray Romano. Al Pacino, appearing for the first time in a Scorsese film, gives a performance as Jimmy Hoffa so good you’ll want to watch scenes again straight away, not least the many two-handers with Pacino’s Hoffa and De Niro’s Irishman Sheeran, whose friendship forms the heart of the film. What a way to close the LFF – with a total showstopper. | |
 | Runtime: 210 mins Rating: 16 | Who killed Jimmy Hoffa? A labour leader and the infamous head of the Teamsters union, whose connections with organised crime were wide ranging, his career ended with a conviction for jury tampering, attempted bribery and fraud, but he was pardoned by President Nixon in 1971. Not long after, he disappeared. Declared legally dead in 1982, various theories have circulated as to what happened to him. Few are as convincing as that told by Frank ‘The Irishman’ Sheeran. The account he revealed to journalist Charles Brandt and published in the 2004 book I Heard You Paint Houses, is the basis of this riveting, epic crime drama. Written by Gangs of New York collaborator Steven Zaillian (Schindler’s List), Scorsese’s The Irishman weaves an engrossing and intricate web of connected events, audaciously cutting back and forth across decades.
Presented through the prism of Sheeran’s (De Niro) memories of his criminal past, the film uses state-of-the-art visual effects to ‘de-age’ the cast from their 70s through their 30s. The seamless (and astonishing) post-production allows Scorsese to bring together a favoured megawatt cast, all on exceptional form: the former Goodfellas pairing of De Niro and Joe Pesci (out of retirement here for Scorsese), alongside Harvey Keitel, Stephen Graham, Anna Paquin, Jesse Plemons, Bobby Cannavale and Ray Romano. Al Pacino, appearing for the first time in a Scorsese film, gives a performance as Jimmy Hoffa so good you’ll want to watch scenes again straight away, not least the many two-handers with Pacino’s Hoffa and De Niro’s Irishman Sheeran, whose friendship forms the heart of the film. What a way to close the LFF – with a total showstopper. | |
|
|
